Creativity is an individual act. The act of building something, whether with hammers, blueprints, words, boards or plans is individualistic. Collectives can build, but not creatively. A mass has no vision because it has no personality. It can follow rules but not dreams.
Freedom is the greatest creative force because it liberates the individual to build and as freedom diminishes within a society so does its creativity. Progress in restricted areas dwindles to a trickle as collectives expend a thousand times the money and effort, and still fail to equal the achievements of individuals operating on shoestring budgets.
The Soviet Union fell because its Communist collectives were not able to equal the West in the military or the economic arena. The only technique that Communist states ever had was to create a heavily regulated top-down infrastructure and when a crisis occurred, a mass of people would be thrown at the problem.
The collective approach allowed the Soviet Union to construct massive infrastructure projects; building roads, power stations and housing. But these were flawed imitations of Western projects and were poorly designed and implemented. The same pattern repeated itself across the Communist sphere. The collective could inefficiently mobilize armies of workers to carry out a project, but the planning and design of the project was grandiose, derivative and poorly adapted to the task at hand. Communist projects were mechanically conceived, mechanically implemented and unfit in the way that any project purely designed by machines would be for human use.
The Soviet Union, China, North Korea and Vietnam all won their engagements with enemies in the same way; by throwing so many men at the problem that the enemy would become bogged down and eventually forced to retreat. Their military victories did not emerge from strategy or heroism, but the mechanical willingness to sacrifice numberless individuals for the goals of the collective.
The few bits of genuine scientific progress came from scientists like Pavlov and Sakharov who were open critics of Communism and the Soviet Union. They did not come out of the collective that collectively crippled Russian science and ensured the collapse of its efforts at military parity with the United States. Ultimately the collective destroyed its own rule.
The seduction of the collective as builder however is not limited to countries that flew the red flag. When Obama and Warren proclaimed that there were no monads, that no man was an island, but that we were all part of one great economic collective to which we owed an eternal debt, they were following up on some very old ideas.
Obama's interpretation of individual creativity occurring only within the context of state institutions is a natural outgrowth of a political philosophy that views those institutions as the essence of the country and the true foundation of its national greatness. This "Institutionalism" is the dominant liberal mindset which sees individualism as a chaos that must be ordered by the state.
Institutionalism says that individuals are not creative, only institutions are creative. Individuals who create are harnessing the creative energy of institutions. In the liberal institutionalist view, the state must create the conditions that make creative acts possible and those who fail to acknowledge their debt to the state are "free riders" who exploit the system without paying back to it.
21st century America is institutionalist, though it derives the greater part of its economic energy from individual creativity. The official philosophy emphasizes the virtues of committeedom; of agencies, corporations, governments and mass determinants which slowly move forward, consuming any form of progress and transforming it into mulch. The official debate is not over the virtues of this rank institutionalism, but over which forms of institutions are best and who should be running them.
In the face of chaos, Muslims chose not liberal institutionalism but Islamic institutionalism. What this means in practice, beyond women with covered faces and more bombs going off on buses, is that the state and its economic monopolies will be in the hands of the devout who will nobly take care of the needs of the people. The practical difference between Islamism and Socialism is that the former is more backward, more tyrannical and more violently disposed toward us. But these are distinctions in degree, not in essence. Both Islamists and Socialists institute tyrannies based on theorists from the last few centuries that recreate a more ancient feudalism in the name of an absolute call for justice.
Americans with Obama, like the Egyptians with Morsi, chose a collective leader who would inspire and take care of them. A leader who would make them feel united into one single group. The promise of transcendence lingered over Tahrir Square and the United States Capitol, a promise that individual differences and divisions would melt away leaving only a perfect collective that would be capable of doing anything it set its mind to.
Even if Obama had been genuinely well-intentioned, the project of collective creativity was doomed from the start. Institutions excel most at their own construction. In their early stages they can fund creative works, but with the passage of time they become incapable of meaningfully interacting with the outside world.
The longer an institution exists the more likely it is to develop its own groupthink, its collective mentality and culture that allows for internal consistency, but makes creative work impossible. Like the Soviet Union, these collectives can draw up grandiose plans that are inefficient, have no purpose and are implemented without regard to actual conditions on the ground.
These collectives can envision masses of wind farms, without taking into account what will happen when winter comes or whether there is enough wind to make the project worthwhile. They can pay foreign architects and foreign workers to create symbols of Islamic grandiosity, such as the Dubai Burj and Saudi Arabia's Royal Mecca Clock Tower, and symbols of Socialist grandiosity such as North Korea's Ryugyong Hotel or the USSR's Palace of the Soviets; but these are not signs of creativity, only pyramids representing the entombing of creativity within a display of mindless power.
Creativity brings new things into the world, but new things are the bane of institutions which already have too many things to deal with and see such creativity as elementally disruptive. Institutionalism strives to repress creativity by forcing everyone into a collective plan, a mandate to follow the central program of the collective. And the only thing that the institutions of the collective are interested in creating are monuments to themselves.
An individual building things according to his own plan is disruptive. Even when following tested techniques and using standard tools to complete the same task that he has already done ten thousand times before, the individual can still find easier and better ways to do something. The individual can also find that a thing might be better done in an entirely different way or that there is no reason to do it at all.
This expression of creative energy is what tyrants like Obama or Morsi fear because it upsets their goal of using institutional power to maintain a completely ordered society. Institutionalist societies believe that bigger is better, that the individual is wrong and the rule book is right, and that a difference is a danger. They may talk up their commitment to progress, but what they truly do is accept a lack of progress in exchange for order and control. They would rather own everyone and everything than have a society that actually moves forward and creates things worth owning.
Institutionalists like Obama do not believe in the individual, they believe that the individual is the root of all evil. They see him as an exploiter, a free rider, a breaker of commitments, a smasher of idols and a disruptor of their plans. They wrongly believe that the individual owes them something for the privilege of living under their rule and they are wrong in this. It is they who are indebted for their parasitism, for their free ride on his back, for the muzzle they have put in his mouth and the spurs they have planted in his side.
The art of building things is a simple art. It is the art of learning about the world as it is, of learning what one's own hands and mind are capable of. And above all else it is the art of being free.
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