Sultan Knish
Ever since FDR made it his campaign song in 1932 while running for
office during the Great Depression, the unofficial anthem of the
Democratic Party has been that Tin Pan Alley classic, "Happy Days are
Here Again." But no matter how often the old Victor spun, it would not
be until well after Roosevelt's death that happy days would be here
again.
Like Hope and Change, Happy Days are Here Again was a blandly optimistic
and non-specific promise that good times were coming. Someday the happy
days would arrive, an appropriate enough sentiment for a song whose
pivotal moment came in the movie "Chasing Rainbows" where it was sung to
reassure a cuckolded husband who is threatening to kill himself. And in
an even more appropriate bit of symbolism, the actual movie footage of
that moment is as lost as the happy times.
No matter how often the Democratic Party cheats on the American people,
it can always break out a new rendition of "Happy Days are Here Again"
to win them back. And even if the happy days never seem to actually
arrive, the promise of "So long sad times" and "Howdy gay times" where
"your troubles and cares are gone" is always a winner.
While the American Democratic Party may not have an official anthem, the
British Labour Party does and its anthem, "The Red Flag" would be
entirely appropriate for the new Democratic Party that no longer has
anything in common with Thomas Jefferson or Andrew Jackson.
It might be awkward to imagine Harry Reid or Joe Manchin trying to make
it through verses like, "The people's flag is deepest red" and the
sonorous chorus, "Then raise the scarlet standard high /Within its shade
we live and die/Though cowards flinch and traitors sneer/We'll keep the
red flag flying here."
They would probably look almost as awkward singing it as Labour Party leader Ed Milliband does,
but you could easily imagine Barack Obama and Valerie Jarrett belting
it out. And that would be only right because while The Red Flag never
gets around to mentioning Manchester, despite its popularity there, it
does namecheck two cities. "In Moscow's vaults its hymns were
sung/Chicago swells the surging throng."
These days red flag songs, once mandatory, are confined to all sorts of
vaults in Moscow. The new Russian anthem is Putin's redress of the old
Soviet one, with lyrics by the same composer. And the Soviet National
Anthem, that secular hymn, has a familiar pedigree going back to the Anthem of the Bolshevik Party in 1938, which took its melody from "Life is better, Life is fun."
You might be forgiven for thinking that the Bolshevik Party had borrowed
its melody from some Moscow musical, but that wasn't the case. "Life is
better, Life is fun" was based on a statement by Stalin: "Life has
become better, comrades. Life has become more fun." The year was 1935
and while it is impossible to know whether Comrade Stalin had decided to
crib from the Democratic campaign of 1932, the theme was the same. So
long sad times. Happy days were here again.
And just to remind everyone that happy days really were here again,
Stalin began another round of brutal purges. A year earlier, Uncle Joe,
as the Fireside Chatter liked to refer to one of the world's bloodiest
mass murderers, had arranged for the murder of Sergei Kirov, who was
everything that Stalin wasn't, and used the murder to begin a purge of
anyone more popular than him, with the support of red flag wavers in
Chicago, New York, London and Los Angeles.
Unlike Franklin, Stalin's idea of a campaign involved a lot of firing
squads to properly soak the red flag in the deepest red, while the band
played, "Life is better, Life is fun." After the purges were wrapped up,
Stalin signed a pact with another red flag waver from Berlin. The Nazis
and Communists might have disagreed on any number of things, but both
of them had inherited the Jacobin fetish for painting a flag red with
blood and then waving it while calling for more death.
While Moscow might have turned in its red card, Chicago's "surging
throng" is still swelling the polls, and even though their shirts are
purple, their fingers are red from the strain of repeat voting. If there
is anywhere in the United States that the red flag has gone on flying,
outside of Marin County, it's Chicago. In its shade, generations have
lived and died, and now generations have begun living and dying in its
shade across the country as the red flag keeps flying for another four
years over D.C.
The red flags of the post-modern, post-American, post-British,
post-everything revolutionaries aren't usually as obvious as a gang of
wealthy politicians staggering to a microphone once a year and belting
out, "We'll keep the red flag flying here". It usually sounds more like
the parody of that anthem, known somewhat sarcastically as the "Battle
Hymn of the New Socialist Party,"
"White collar workers stand and cheer/The Labour government is
here/We’ll change the country bit by bit/So nobody will notice it." A
policy of changing the country bit by bit so none of the workers who
want their benefits notices that everything else they value is being
dragged away to the rubbish heap while they sleep may be sneered at by
the real reds, but it's worked quite effectively.
Tony Blair did a masterful job of changing Britain, leaving behind Neil
Kinnock's threats to take the workers into the streets if the election
did not go his way. (It did not. He did not.) Kinnock proved good enough
for Joe Biden to plagiarize his biography from, but the future rested
with a sensible left. A New Labour that would talk like technocrats
while importing unprecedented number of immigrants to change the
electoral balance of the country, so that the red flag would go on
flying here, even if it was green and had a crescent and a pair of
crossed swords in the middle.
Instead of the flying red flag, Tony Blair's New Labour used D:ream's "Things can only get better"
as its election anthem, which despite a title that made it sound like
another, "Happy Days are Here" or "Life is better, Life is fun" was more
of a love song to a Labour messiah promising to cure "prejudice and
greed".
"Walk my path/Wear my shoes/Talk like me/I'll be an angel," New Labour
voters were promised and they fell for it. The age of the Me Generation
PM was here and the new egotism resounded in lyrics like "Things can
only get better/Can only get better/Now I've found you/(That means me)"
that took both self-help and self-involvement to a whole new level. But
British voters probably should have paid more attention to warning
lyrics like, "I sometimes lose myself in me".
Bill Clinton was America's Tony Blair, but with enough Good Old Boy
charm to leaven the false earnestness that led so many to hate Blair. If
Blair was a liar pretending to be an honest man, Clinton was a liar
pretending to be an honest man pretending to be a liar, a rotten
sandwich of a paradox that you have to be a politician or an observer of
them to properly appreciate. Like Blair, Clinton worked to change the
country bit by bit, appealing to white collar workers and leaving the
red flag in the trunk next to the road flares and the dynamite.
It's Chicago time now and the red flag is back. Talk of changing the
country bit by bit is done. Now the country is being changed
aggressively, every change a finger poke in the eye of the people who
don't notice right what is in front of their faces. The cuckolding is no
longer subtle. It's more out in the open than ever and the country is
being bankrupted and the middle class is being wiped out to a rousing
chorus of "Happy Days are Here Again", when an entire generation has
come of age never knowing a time when happy days prevailed.
Whatever faults Kinnock and old Labour had, losing himself in himself
wasn't one of them. But the Baby Boomer and Generation X leaders had the
narcissistic habit of doing just that. Clinton and Blair both lost
themselves in themselves and since then never appear to have found
themselves again. And Barack Obama never lost himself in himself because
he never stepped out of himself to begin with.
Obama marries the red flag radicalism of the old left with generational
egotism to show us the spoiled brat as leader, the tyke born with a set
of silver spoons in his mouth who not only waves the red flag, but who
mistakes his shamelessness for political genius. Where Clinton limited
his shamelessness to his personal life, for his Democratic successor, in
the tradition of both the hard left and the fellowship of mirror
gazers, the personal has always been political. To the Hope and Changer,
the man is the office, the state is the man, and the whim is the
national agenda.
Stalin famously told his mother that he was the new Czar, transmuting
collectivist revolution into the egotistical authoritarianism of one
man. Obama has managed the same trick, merging revolutionary politics
with his own brand until there is no longer a difference between the man
and his revolution. FDR only promised happy days, but Obama has become
the actual incarnation of hope, which may explain why there is no longer
any hope to go around.
There is a flag flying over Washington and it's no longer the stars and
stripes, but the same red flag that flies over Chicago. It's the red
flag under whose shade misery and tyranny spreads while the band strikes
up the same anthem over and over again. "Happy days are here again."
Life is better, life is fun." "Things can only get better" and of course
Obama's victory speech promise; "The best is yet to come."
It might have been more honest if he had instead admitted, "We'll keep the red flag flying here."
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