Nurit Greenger | June 13, 2014
Metropolitan Opera to Stage Dreadful
Anti-Israel, Anti-Semitic Work, the Death of Klinghoffer,
an anti-Jewish and anti-Israel “opera.” We have learned that the Met had
scheduled for the 2014-2015 season its first-ever performances of John Adams’s “opera”
The Death of Klinghoffer. Mediocre music is the least of the work’s problems.
Even more serious is a tendentious story line and an inflammatory libretto that
falsely maligns Israel and the Jewish people.Reminder: Leon Klinghofferwas a murder Victim. Confined to a wheelchair, he was shot by Palestinian Liberation Organization (PLO) terrorists and his body thrown off the Italian cruise ship, Achille Lauro… http://www.findagrave.com/cgi-bin/fg.cgi?page=gr&GRid=8692
When people who vilify Israel vilify every Jew!
I took my time to scold the Met and here is the exchange from bottom to top:
My Letter to the metropolitan:
Nicole Halton,
Thank you for taking the
time to reply.
Mr. Adams claims that in
writing the opera he tried to understand the hijackers and their motivations?
Does he need to do that? Their ONE and ONLY one motivation is killing Jews and
point blank killing. Do you have to write a political opera about the subject
and in it vilifies Israel and Jews and give a plug to terrorists? To where have
we arrived in our moral equivalence? The Met, the composers have lost their
rational mind?
Terrorists’ life is
killing; Moslem terrorists life objective is first to kill Jews and then all
other infidels. Therefore, it is an endless conflict, we, in the west enflame
by our unwillingness to see the truth, the facts, and the reality! Islam is an
ideology wrapped in religion its ONLY goal is to dominate the world and the
West’s foolish enlightenment is analyzing this clear subject that needs no
analysis? How absurd?!
And writing an OPERA about
it is doubly absurd!
A disabled man was thrown
overboard and an opera was written about it? Perhaps Mr. Adams should write an
opera about the close to 150,000 innocent civilians Bashar Assad, the dictator
of Syria, has murdered thus far and analyze his murderous malevolent brain?!
Staging this opera is a
huge mistake; HD it, to possibly millions of viewers, is doubly huge mistake.
The least you can do is cancel the HD showing in the many theatres process.
Will the Met stage and
broadcast an opera vilifying any other ethnic group! NO WAY! But, Jews, it has
become a habit, humanity's genetic disease, which, only 70 years ago has led to
perpetrating the Holocaust purposely murdering 11 million innocent people, 6
million innocent Jews, among them 1 million children, 3 million Catholics and
others! The Met is now complicit in incitement against Jews! What a terrible
thing when "art" is used as a cover for hate.
Your reply leaves much to
be desire and I ask again, after reading Myron Kaplan, Senior Research Analyst
for CAMERA letter, please reconsider your actions.
Sincerely,
Nurit Greenger Los Angeles,
CA
---------- Forwarded message ----------
From: Metropolitan Opera <metropolitanopera@metopera.org>
Date: Fri, Jun 6, 2014 at 9:34 AM
Subject: General
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take a moment to add MetropolitanOpera@metopera.org to your E-mail Address Book or Safe List.
Dear Nurit,
Thank you for contacting us.
The Metropolitan Opera has championed the
work of John Adams, one of America's greatest living composers. This will be
the third of his operas that the Met has presented over the last seven seasons.
The Met is committed to presenting the finest works across the operatic
repertory, as well as increasing the accessibility and relevance of the art
form.
The Death of Klinghoffer is an opera about a terrible incident that has
become part of a pattern of violence that in the ensuing decades continues to
repeat itself. Mr. Adams has said that in writing the opera he tried to
understand the hijackers and their motivations, and to look for humanity in the
terrorists, as well as in their victims. Tom Morris, the director of the
Met's new production, believes that the opera’s most important contribution is
in providing an opportunity for the audience to wrestle with the almost
unanswerable questions that arise from this seemingly endless conflict.
Since this opera dramatizes a horrific act of
violence, the Met acknowledges that some members of its audience may disagree
with the decision to present this work. However, the Met believes that in
staging it, audiences are being given the opportunity to hear one of the best operas
of the late 20th century.
Thank you for taking the time to share your
concerns with us.
Sincerely,
Nicole Halton
Met Opera Customer Relations
The Metropolitan Opera |
Lincoln Center | New York, NY 10023
Phone: 212.362.6000 | Fax: 212.870.7695
|
metopera.org
-----Original Message-----
From: metinfo@metopera.org
[mailto:metinfo@metopera.org]
Sent: Thursday, June 05, 2014 8:12 PM
To: MetInfo
Subject: General
Name: Nurit Greenger
Email: nurit.nuritg@gmail.com
What sick mind write an opera about a terror attack and
what sick min at the Met decides to produce it?
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