Sultan Knish
In real life, terrorists are almost always Muslim. In the movie theater,
they are anything but. America's fictional secret agents, covert
operatives and rogue cops who play by their own rules have spent more
time battling Serbian terrorists than Muslim terrorists.
Before
September 11 broke up the party, 24's Jack Bauer was fighting the
international menace of Serbian terrorism. Serbian terrorists also
showed up in 1999's Diplomatic Siege when their "Serbian Liberation
Front" took over a US embassy and in 1997's The Peacemaker with George
Clooney rushing to stop a Serb from detonating a nuke in New York City.
The
United States has remained unscathed by Serbian terrorism, though the
same can't be said for Peter Weller, the star of Diplomatic Siege, and
Mimi Leder, the director of The Peacemaker, but not by Muslim terrorist
attacks. Despite September 11, the Fort Hood Massacre and the Boston
Marathon bombings, Hollywood has however resolutely kept its eye on the
real threat.
Serbian terrorism.
This weekend, Ride Along,
which features Ice "F___ the Police" Cube playing a cop, knocked Lone
Survivor out of the top spot at the box office, and once again takes on
the terrible threat of… Serbian terrorism.
When the Serbs aren't
available, the North Koreans have to step in. Red Dawn had to switch its
army of invaders who conquer America from the Chinese to the North
Koreans. North Korea, unlike China, doesn't pay Hollywood studios money
for the movies it imports. But to be on the safe side, when North
Koreans attacked the White House in Olympus Has Fallen, the movie
specified that they were extremists. Hollywood wouldn't want to imply
that North Korea's moderate government might be attacking America.
Only the Serbs do that.
North
Korea however responded by warning that if it did attack the United
States, the outcome would be even worse than anything in a movie.
When
the Serbs are too busy shoveling snow and the North Koreans are too
busy watching Dennis Rodman act like an idiot, there are always the
Russians. The Russians are more likely to show up as villains after the
fall of the Soviet Union than during the Communist era. It's as if the
end of Soviet Communism finally set Hollywood free to join in the fun of
Boris and Natasha villains without any of the guilt about red-baiting.
When
Jack Ryan: Shadow Recruit featured a terrorist cell in Dearborn, even
though Muslim settlers dominate the area, the villains were shown
operating out of a Russian Orthodox church and getting their cues from a
priest reading the bible while the terrorists cried out, “Slava Bogu"
or "Praise God."
It would have been so very unrealistic to show them praising Allah instead.
Jack
Ryan: Shadow Recruit is the latest attempt at making a Tom Clancy movie
without the Tom Clancy part. Sum of All Fears, one of the first movies
about terrorism to come out after September 11, jettisoned Clancy's
Muslim villains and replaced them with neo-fascists out to turn Europe
into a "united fascist superstate".
While this wasn't true to
the Clancy novel, it was the first time that a major motion picture
unintentionally portrayed the European Union as a villain even though it
had already been around for a decade. Around the time Sum of All Fears
came out, Europeans were already on a single currency. But that
obviously wasn't what anyone in the production had in mind.
Phil
Alden Robinson, the director whose career also appears to have fallen
victim to Serbian terrorism, responded to CAIR's demands that the movie
be more true to life by not featuring Muslim terrorists, with compliant
acquiescence.
Its
writer Dan Pyne dismissed Islamic terrorism as a "cliche"; even though a
plot can’t be a cliche when it never appears in movies, only in real
life. Pyne however found a more realistic villain. "I think, there was
some neo-nationalist activity in Holland, and there was stuff going on
in Spain and in Italy. So it seemed like a logical and lasting idea that
would be universal."
Nothing is more universal than the threat
of neo-nationalists in Holland. Dutch neo-nationalism is an enduring
world menace that everyone can relate to.
The neo-nationalists of
the Netherlands that Pyne had discovered in a used copy of the LA Times
were probably Pim Fortuyn's party. Fortuyn was a gay Sociology
professor and former Marxist who favored drug legalization, gay marriage
and less Muslim immigration. The neo-nationalist threat of the
Netherlands did not prove lasting when around the time that Sum of All
Fears was playing in theaters; Fortuyn was murdered by a leftist who,
like Pyne, worried about the plight of the Muslims.
In an even
bigger cliche, Theo van Gogh, who had just finished directing May 6th, a
movie about the assassination of Pim Fortuyn, was murdered by Mohammed
Bouyeri, a Muslim immigrant from Morocco who told the victim's mother
that he could have no empathy for her because she was a non-Muslim.
It was the sort of ridiculous cliche that Dan Pyne would never have put into a script.
Instead
Dan Pyne went on to write a remake of the Manchurian Candidate in which
Communist China was replaced by the "Manchurian Corporation". He's
currently working on a movie featuring a Syrian rescue worker who gets
mistaken for a terrorist while trying to save lives during Hurricane
Katrina.
It's a cliche, but it's the kind of cliche that Hollywood likes.
If
a movie is made about September 11 a decade from, now, the villains
will probably be Serbian nationalists. Or perhaps a villainous
"September 11 Corporation". It would be a cliche to have 19 Muslim
hijackers murder 3,000 people. And then the camera will linger
meaningfully on a Muslim rescuer wrongly taken into custody by a bigoted
NYPD cop who is overlooking the real Serbian/Dutch neo-nationalist
corporate villains.
But the Serbians, Russians, North Koreans and
the Neo-Nationalists of the Netherlands are only the understudies who
get called in when the usual villains, right-wing extremists who want to
false flag America into a war with the Muslims are on vacation.
After
24 got done with the Serbian terror threat, it defaulted to the real
threat of government warmongers trying to fake a Muslim terror threat.
After 9/11, 24's second season’s story was about an evil government
conspiracy to fake a Muslim terrorist attack. Anything else would have
been a cliche. And to avoid cliches, the series used variations of the
same plot in three seasons.
When the Serbs went on strike last
year, White House Down brought in a villainous Speaker of the House with
a Jewish last name to assassinate a black president in order to
sabotage his treaty with Iran. The movie lost so much money that Sony
blamed its quarterly $197 million loss on it.
Serbian terrorism had struck again.
When
a straightforward presentation flops, Hollywood finds ways of embedding
the same old message into more fantastic fare. Last summer, Iron Man 3,
Star Trek Into Darkness and the Lone Ranger all had minor variations of
the same story about false flag attacks that were orchestrated by
governments or powerful interests connected to them. This Trutherism
explosion was just another case of Hollywood carefully avoiding cliches.
Nowhere
in all these tales of evil corporations and governments is there a
movie about an entertainment industry so intertwined with government
that it not only helped pick the country’s current leader, but it
constantly releases propaganda films attempting to revise reality
according to his worldview. That would be a cliché; much like the idea
of that industry filming false flag movies depicting the favorite
villains of the Clinton Administration carrying out ridiculously
implausible acts of terror to retroactively justify its focus on the
Serbs instead of Al Qaeda.
Hollywood stands as firmly against
depicting Muslim terrorism as Hollywood Communists after the
Hitler-Stalin pact did against anti-Nazi films. If they had been
positioned further up the ladder back then, instead of mainly being
relegated to writing scripts, we would no doubt have a catalog of movies
featuring Yankee warmongers plotting to stage fake Nazi attacks on
America.
Hollywood's ideological hostility to reality however has not proven to be very profitable.
The
Peacemaker, a movie written and co-produced by the Cockburns, whose
politics are slightly to the left of Stalin and who wrote a book blaming
Israel for everything wrong with the world beginning with the death of
the dinosaurs, was the inaugural feature from the failed
Spielberg-Geffen-Katzenberg Dreamworks studio and disappointed critics
and audiences. The Cockburns would never try their hand at film fiction
again unless you count American Casino, their "documentary" about the
financial collapse, which had a financial collapse of its own with an
opening weekend of $1,397.
Sum of All Fears, the movie inspired
by the Netherlands neo-nationalist threat, was the weakest performer of
the Tom Clancy movies when accounting for ticket price inflation and
full budget. And it still had a much better opening weekend than Jack
Ryan: Shadow Recruit.
But failure hasn't stopped Hollywood from
churning out anti-war movies and it won't stop it from alerting the
nation to the terrorist threat lurking in Orthodox Churches or the Dutch
neo-nationalists trying to nuke our cities. Hollywood’s handpicked
leaders were the ones who made the country vulnerable to Islamic
terrorism and their industry has gone on covering up for them with
movies in which the villains can be anyone and everyone except the real
killers.
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