Sultan Knish
"The medium is the message," Marshall McLuhan said. The days of the medium however are being left far behind.
The
newspaper, the radio and the television set that coiled together into
the media to provide a bewildering array of information and
entertainment have been infinitely complicated and simplified. The day
when the last newspaper runs off the last printing press, the last radio
broadcast fades into a hum of static and the last television signal
winks out is not that far away. The internet is a true media,
The
internet through the desktop, the television set and the mobile device
is capable of duplicating the mediums we knew, but it also ushers in
unlimited competition. Every medium was limited in the amount of content
that it could or would provide. There were only so many pages in a
newspaper, radio and television could only be experienced in real time
and only as many programs as would fit into a broadcasting schedule on a
single channel. Everything had limits. The internet has few limits.
The
only meaningful hard limit on the internet is the human attention span.
Content isn't quite infinite, but it easily surpasses what any single
person could even begin to take in. The sheer amount of options alone
exceed the available time to enumerate them at any given moment.
Technological limits have been proven to be soft limits. But there's
only so much human attention to go around.
Attention deficit
disorder is already becoming the natural state of being as the human
attention span is split down in unprecedented ways, relying on new
shortcuts of virtual digital memory and tapping into infinite wells of
content and interaction with even the most casual attempts at
recollecting information. The medium shapes the message and it also
shapes us.
The competition to create messages that can compete in
the overcrowded internet media is producing messages that change us.
Memes, like real viruses, create pathways of language into our minds to
bypass our natural resistance to the escalating war for our attention.
The more "one stupid trick" is used, the more resistant we become to it
unless it takes on a special meaning for us.
The bloody
competition by content creators turns every message into a shout for
attention. The latest trends with their emphasis on social sharing and
"You won't believe" headlines make content all but indistinguishable
from what used to be spam. Like spam, the swamp of "viral" content
consists of worthless or dangerous material that pretends to be
compelling or fake content pretending to be real.
Television
with its slow process of rolling out shows over months and waiting for
them to catch on through water cooler talk seems insanely slow and risky
in today's viral environment where it has to trend in a matter of hours
or days. Instead reality television rules television because it's fast,
cheap and it generates immediate responses. And the easiest response is
enmity.
Reality television, like wrestling and social media,
finds it a lot easier to sell a 'heel' than a hero. It's much easier to
make people hate someone than to make them care about them. And the next
best thing to the heel is the 'geek', not in the modern sense, but in
the classic sense of a freak who does ridiculous and horrible things for
the amusement of the public.
The heel and the geek are the
staples of reality television and viral content with sidebars of kittens
and strange facts about the 19th century for the latter. And all the
former requires is finding unlikable people who fit a preconceived
notion or stereotype. The rest is just a process of "casting" a heel and
turning on the outrage machine.
The
outrage machine defines people not by what they care about, but by what
they hate. The crowded lanes of the internet media has distilled its
messages to the primitive ones that maximize the odds of grasping that
overtaxed attention span. This has made the internet into the natural
habitat of the left.
The left was always better at hating than at
any of the more positive emotions. It hates Sarah Palin or George W.
Bush today much more than it loves Obama or Hillary. Its loves are
fleeting, but its hatreds endure. Unlike the old lefties, it is far more
passionate about what it opposes than what it supports.
Its
real identity politics are not those of race or class, but of politics
alone. The left cast aside religion and nationality to take on a purely
political identity and on the internet, views are more real than race or
country of origin. No one may know if you're a dog, but they do know
what you like and what you hate and why those things make you an awful
person.
The internet is the closest thing to its dream of a world
without borders, but with denunciations and Red Guards trained in the
intricacies of white privilege and meme manufacture to conduct the
endless cultural revolutions. The implosion of the mass media outlets it
once dominated led the transition to crowdsourced hate for the
profitable clicks. CNN may be dead, but the Huffington Post is
enormously profitable. Fake reporting the news no longer counts. Hate
does.
The outrage machine runs all the way to the top. The prep
work for the 2012 campaign consisted of turning on the outrage machine
targeting specific demographics. It was the Huffington Post as a
presidential campaign skipping from Sandra Fluke to the 47 percent to
binders of women. Like the Huffington Post, it was ridiculously stupid
and ridiculously successful.
The internet killed liberalism and
empowered the left, it eliminated the center and made restraint into a
losing strategy. In the old media model, limited safe content was
broadcast to a disempowered audience that was assumed to be as
mainstream and uncontroversial as possible. In the new model, targeted
content is aimed at an activist audience whose idea of uncontroversial
is content that mainstream audiences would find controversial.
A
commercial that offends 99 percent of the audience who will say nothing
or confine themselves to a few angry letters, but pleases the 1 percent
of the radical left who will aggressively promote it on social media is a
safer investment than a non-controversial commercial featuring
traditional values that pleases the undemonstrative 99 percent, but
enrages the activist 1 percent that will attack the company on Twitter
and then cover those attacks in Salon, Slate and The Atlantic, and then
cover that second wave of reaction in Time and New York Times blogs
feeding it ever upward until the anger of a tiny 1 percent minority
becomes the dominant narrative while the silent majority is ignored.
'If you're not outraged, you're not paying attention' has become the business model.
Activism empowers only a small obsessive slice of the audience, but in a setup where peer-to-peer
social
sharing requires individual participation in passing along the content,
instead of passively sitting there and viewing it, the fringe activist
audience counts for more because engagement is the real medium. A social
medium values active engagement over passive approval. Its messages,
whether they are pure politics or entertainment, have to be of a kind
that will be passed along.
If the message is the virus, it must
cater to the most engaged carriers and since the ability to transmit the
message defines which social organizations thrive and which do not,
those social groups who are best able to transmit the message are most
likely to succeed and the most abrasive messages and the most hateful
groups have a leg up on the competition because the social evolutionary
landscape favors their form of social organization.
That is the
outrage machine, a distributed network of human nodes constantly flaring
to life in the search for the designated victim, the criminal act of
political incorrectness, whose sharing reinforces the political identity
of the group. The left is defined more by hatred of everything outside
its ideology than anything else and so it needs these moments, these Two
Minutes Hates to remind its members of who they are as individuals
based on their membership in the group.
In Oceania, Big Brother,
an unreal construct, was the collective identity of The Party. Today,
Big Brother is the collective identity of the outrage machine,
decentralized and operating peer-to-peer through political peer
pressure. The love of Big Brother was the dissolution of self in the
illusion of collective power. The modern Big Brother as a hashtag of
hate unites the left in the illusion of power.
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