Sultan Knish
Hardly had the blood been scrubbed off the floors in Newtown than
everyone who was anyone had begun shifting the blame from Adam Lanza to
some intangible social failure.
Back in 2002, Michael Moore trundled his bulk over to Colorado to
exploit the Columbine massacre for a general rant about gun culture,
American foreign policy and how hard it was to find a shop selling bacon
grease by the ton at two in the morning.
In his film, which won an Oscar for Best Documentary, Moore gave his
audience what they wanted, lots of scenes of "hicks and hillbillies"
buying, selling and giving away guns all over the place to illustrate
the murderous ravages of American gun culture. Some of those scenes were
staged, but it didn't matter since Moore was catering to an audience
that had nothing but contempt for working class Americans and would
believe any awful thing about them.
What did gun culture have to do with a plot by two disgruntled dorks
upset over being called "Faggots" a few times too many? About as much as
gun culture has to do with Adam Lanza, another award winning product of
the, "Maybe some people deserve to get beaten up" club.
Your average school shooter is unhappy and angry, irreligious, incapable
of fitting into a community and filled with rage that he exercises
through violent fantasies. His culture isn’t gun culture. It’s loner
culture. Video games do not cause him to kill, but they are how he
entertains himself until he can get a taste of the real thing.
Adam Lanza, Dylan Kleibold, Eric Harris, Seung-Hui Cho, James Holmes,
One L. Goh and Jared Loughner had as much in common with what the
Michael Moore Fan Club thinks of as "gun culture" as Michael Moore does
with the working class. Whatever gun culture they had was not the
American Scots-Irish culture of the hunter, the rancher and the militia
member, but the urban posse of emasculated men of no worth that
brandishes weapons as a way to get respect.
The gun culture of the school shooter is the lobby scene in The Matrix,
the frag or be fragged multiplayer gaming culture of Halo and Doom, and
the Joker killing his way across Gotham. None of these products of mass
entertainment make one a killer, but they are also far more illustrative
of the type of gun culture that defines school shooters, than anything
that Michael Moore and the MSNBC talking heads mean by gun culture.
For most Americans there is no gun culture, only the ownership of guns. To the
extent that any gun culture has developed it was in response to a gun control
culture that sought to demonize the ownership of firearms. The traditional and
religious culture of the American gun owner has little in common with the power
fantasies of the school shooter. To the gun owner, a firearm is a necessary
tool. To the school shooter, it is a way to stop feeling powerless, a way to
get beyond the ersatz joys of killing bots and avatars, of watching Keanu
Reeves spin through the air while filling a mob of policemen full of lead, with
the joy of the real kill.
But that has not stopped anyone and everyone from opining on the great
malady of American gun culture. Jim Boeheim, the Syracuse basketball
coach, took the time out to blather on about it for ten minutes. A
Washington Post writer named Max Fisher claimed that American gun
culture was "unique" because Americans own a lot of guns. That is
roughly the level of fact-based discourse on gun culture that you can
expect from gun-control culture which asserts that ownership is
identity.
The Battle Creek Enquirer ran an editorial which asserted that "The gun
culture in this country is insane" and then failed to define what that
gun culture consisted of except to say that, "The insanity of America’s
gun culture is that in the face of staggering evidence to the contrary,
the gun lobby successfully peddles the lie that we are safer when we
ease access to firearms."
The definition of gun culture insanity then is believing that when a
dork who has seen the Matrix or The Dark Knight or blood splatter on his
monitor a few times too many comes bearing lead, it is better to be
able to defend yourself than to be a target. It's absurd, of course, we
are told by gun control culturalists, to believe that ordinary civilians
can do anything in such a crisis except wet their pants and hope that
the SWAT team doesn't get stuck in traffic.
But in 1966, during the Texas Tower Massacre,
a Co-Op manager named Allen Crum grabbed a rifle and accompanied three
Austin police officers up into the tower and helped give them cover
while they took down the sniper. But that was in 1966. Today Crum would
have been shot for picking up the rifle and Officer Martinez, who picked
up a shotgun and fired into the shooter's prone body after he had
already been severely wounded, would have been dismissed from the force,
put on trial and would have spent the next decade dodging civil suits
and doing infomercials to raise money.
And that's why we're so much safer today, than we were then, on our Zero
Tolerance campuses and in our Gun-Free Zones, where no one is allowed
to have so much as a pocket knife and no one can do a thing when a
shooter arrives except lie on the floor and hope that the killer picks
another victim.
At Salon, which is like Slate, if Slate were a failure, Amanda Marcotte
urges that we attack "not the guns themselves, but gun culture". Amanda,
mainly known for getting the Duke case wrong and being fired from the
Edwards campaign, means that we should ban gun ads in newspapers.
"A lot of liberals aren’t tuned into this, because they live in their
own enclaves and absorb media that doesn’t really cater to the gun
crowd, but gun advertising is common in many markets," Amanda
breathlessly reports to those organic pastry shoppers of San Francisco
and the Off-Broadway crowd taking in the latest transsexual cabaret
spectacular. While she never does get around to defining what the
dreaded gun culture is, she does mention that, "Americans simply don’t
like giving up perceived rights."
If only they spent more time in organic pastry shops and transsexual
cabarets they might realize that they are only giving up their perceived
Bill of Rights for the real right to free birth control in the best
bargain since Esau traded his birthright for a mess of organic free
trade pottage.
Finally Jessica Pieklo, writing at a site whose menu is limited to
"Animals", "Women", "Politics", "Food", "LGBT" and "Global Development",
in that order, informs us that gun culture and rape culture are a
product of "white masculinity". An hour ago I just passed a non-white
driver whose car had 9MM decals on his windows and was blasting a song
where the word "hoes" came up a lot, but there are topics that just
can't be discussed even for a site that covers everything from LGBT to
Animals.
For all the loose talk about American gun culture, no one really seems
to be able to define what it is. Defining gun culture by the
entertainment industry drifts too far into Hollywood and Detroit, and
away from the rural culture that is the real target of gun control
culture. And that just leaves gun controllers grasping at gun ads and
gun ownership, and the omnipresent white devil who never stops buying
Manhattan for a bottle of whiskey and objectifying things in ways that
males of no other race do.
Instead there are a thousand articles written in children's blood crying
out, "We can't just do nothing." Something must be done. Now. Last
week. If only we ban more weapons, we can be as safe as Norway, home of
the worst shooting spree of all, or Connecticut, which already has an
assault weapons ban. And after those screeds come calls from politicians
to "set aside the rhetoric" and have a serious conversation about
taking the Bill of Rights out back and putting a bullet in its head. For
the children who had no one to protect them when a gunman came to their
school and will still have no one to protect them when gun control
culture gets its way.
After these come a torrent of armchair psychology analyses of America's
gun culture, which are only slightly more elegant versions of Jessica
Pieklo's thesis about Freud and Michael Moore's thesis about rural
America. And those are what gun culture is really about. After all how
can you be confident of your own superiority unless you have a
documentary and a hundred articles affirming it for you by the
traditional method of putting down the people at the bottom of the
ladder.
What liberals think of as gun culture is really shorthand for rural
America. It's what liberals won't say, but it's what they mean.
Americans are still sentimental about the village, so, for now, the
number of movies that portray the rural community as ideal, rather than a
hive of small-minded bigots, is still rather high. But there are
backdoor ways of getting at the same topic and talking about gun culture
is one of them.
When liberals talk about "gun culture", they mean the same thing that
Barack Obama did when he told his San Francisco fundraiser friends about
the people out there who still cling to their bibles and their guns. It
isn't about the guns really, though gun control culture is worried
about having that much personal autonomy in the hands of people who
don't share their values and like their independence, it's about rural
America. And rural America, like guns, is another symbol that stands in
for traditional America.
The left cannot talk about how much it hates this country. Gun culture
is one of its dog whistles. A way to talk about how much it hates
America without actually saying it out loud where everyone can hear.
Talking about gun culture not only allows the left to publicly vent its
hatred for America, gun control, like racism, is another way that the
left teaches Americans to hate America.
But the truth about gun culture is that the left has a great deal more
in common with Dylan Klebold, Eric Harris, Adam Lanza and Jared
Loughner. Far more than those shooters had with any phantom conservative
gun culture.
The American left, like any high school shooter, is bitter, angry and
filled with contempt for the rest of the country. Stuck in a country
made of flyover country that thinks of leftists the way Columbine
students thought of Klebold and Harris, the left treats Americans to
their own Columbine Massacre every time it defends criminals and
terrorists, every time it wrecks American manufacturing and laughs all
the way to the bank as it bankrupts Americans.
For all the crocodile tears that the left spills, after all the
children's blood that it pumps into a syringe and then spill out on
paper, the left culturally identifies with the shooters and the shooters
culturally identify with the left. They are both odd men out in a place
that they don't belong, dressing up their inner ugliness in a false
sense of superiority. The shooters believe that they are superior
intellects victimized by the mediocre people around them who are unable
to appreciate their genius. That is the cursory bio of every leftist who
troops down to New York, San Francisco or Portland.
And both the left and the shooters agree that the people you are shooting at should not have guns.
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